Patrick Holo grew up in Cape Town completing
his standard nine at Langabuya High School in 1969.
His father, Jo Holo was a pianist and one of the 'Folk Quartet' consisting
of Jo Holo, Jo Max, Schonana and Jo Qungu. Patrick couldn't play, but
his brother Sydney was a member, of a skiffle band in 1974. Patrick recalls
that many an evening he joined the family at the supper table where they
would sing Kwela songs. The jazz and pennywhistle musicians loved his
father's house.
As a child he remembers making toys with wire - cars with polish-tin
wheels and tires made from old bicycle wheel tubes. The cars had axles
and could be steered with a long hand-held wire. He constructed busses
and trains from wire and tinfoil.
BACKGROUND
1981
Patrick was awarded a scholarship by the Italian Consulate to study in
Perugia for a year. He particularly remembers visiting the grave of St.
Francis in Assisi, Bologna, Florence (loved the 'blue water in Florence')
and Venice (What a lovely place!). From Perugia he travelled to Rome where
he stayed in the home of Nicolo Baldo.
1975 - 76
Joined the Community Arts Project in Woodstock. Patrick's work of this
period conveyed the political sentiments of the struggle against the apartheid
policies of the ruling party. Other 'Resistance Artists' working at CAP
at the time were Bongani Shangi and Hamilton Budaza. They shared resources
exploring the sculpture and graphics techniques. Patrick remembers with
pride the sculpture he did at this time.
1974
Became a full time artist.
1972-74
Worked as a machine operator for Paarl Textiles.
1971 - 72
Worked at the Paarl Branch of OK Bazaars.
NYANGA ART CENTRE
1978 -1980
Patrick taught graphics and sculpture at Nyanga Art Centre. There were
eight separate workshops at the Nyanga Art Centre and some of the courses
offered were glass blowing, pottery and graphic art.
SOCIAL BACKGROUND TO THE PERIOD IN WHICH NYANGA
ART CENTRE WAS ESTABLISHED
1976
The report of the Theron commission on coloured people was tabled. Secondary
school children march into Soweto in a massive protest against the use of
Afrikaans in schools, and hundreds are killed in violence. Schools unrest
spreads to the Western Cape. First members of 'The Class of '76' leave South
Africa for training in armed resistance.
1977
Was a year marked by escalating unrest in the Cape as the hostile Frontline
States and broadening international campaign had become major problems
for the South African Government.
In this year Patrick met Cecil Skotnes.
Cecil Skotnes had directed the Polly Street Art Centre the 1950's and
1960's. Situated in downtown Johannesburg, Polly Street Art Centre provided
guidance, basic materials, equipment and a place to work. Sculptor Sydney
Kumalo's sell-out exhibition at the centre proved that gifted black artists
could make a living from art.
Encouraged by Cecil Skotnes, Patrick and Sydney Holo approached the Divisional
Council requesting the use of an old farmhouse in Nyanga to give art classes
to children. Permission was granted and this became the Nyanga Art Centre.
Patrick taught graphics and sculpture. Cecil Skotnes visited and mentored
the project although it became increasingly unsafe to visit Nyanga. Cecil
stressed a professional approach, which became a hallmark of the artists
trained at this centre. Billy Mandindi was one.
1982 - 83
Patrick returned to Cape Town to his workshop at Nyanga Art Centre. 'There
were no guys and the place was run down. However we began to study and
work together again'. Patrick taught sculpture in terracotta, plaster
of Paris and white cement as well as graphic techniques such as linocut.
Also teaching at Nyanga at this period were Patrick's brother Sydney and
Velile Soha who trained at Rorkes Drift. Their aim was to motivate the
children and pass on the skills they had acquired.
Despite generous bequests the centre was perennially short of funds.
In 1989 Patrick mentions that Mteto Msongwana was chairman of the art
centre and Mr. R.A. Wilson was the accountant. Patrick was working with
his brother Sydney and Velile Soha. Deneth Giladile was teaching music
to the children. It was not long before Patrick was working alone.
By 1990 everyone had left the Nyanga Art Centre. The centre was destroyed
by vandalism and Patrick was left with no place to work.
ST GEORGES STREET MALL
1991
Patrick found an outlet for his linocuts selling in St. Georges Street
Mall. For R 80 a month he obtained a hawkers license from the Traffic
Department. His fortunes fluctuated - at times he did well but occasionally
he could not afford ink and paper. He also struggled with TB for nearly
ten years, between 1991- 2000 Patrick did very little work.
2000
Patrick was commissioned by Truworths to do two Murals.
2001
Patrick was approached by Zolile Calana from Kwela Books to make illustrations
for the Xhosa proverbs. The charm and simplicity of these works led to
an invitation to exhibit some of them at The Cape Gallery.
EXHIBITIONS
2016
Impressions, group exhibition at The Cape Gallery
Review, group exhibition at The Cape Gallery
2015
Along the way, group exhibition at The Cape Gallery
2014
Telling our story; group exhibition at The Cape Gallery
2012
Siyakubona, group exhibition at The Cape Gallery
Social Synergy, group exhibition at The Cape Gallery
2005
Participated in the group exhibition “Encompass” at the Cape
Gallery
2001
The Cape Gallery - 'cameo exhibition' within the context of a larger exhibition
entitled 'Movement' arranged at the request of Herma Williams, assistant
provost of Gordon, USA.
1986
A second exhibition was planned at The Baxter Theatre. Curated by Shirley
Kantor. Patrick, Sydney and Velile showed their work.
1985
Cecil Skotnes suggested a five-person exhibition: Patrick and Sydney Holo,
Hamilton Budaza, Wizard, Lionel Abrahams. The intention was to promote
these artists whose work was specifically in 'Cape style'. Lucy Alexander
also offered her help. Cecil suggested that they should invite six artists
from Johannesburg who had trained at the Polly Street Centre: Sydney Kumalo,
Ezrahein, Mtsoso, and Cepral. The exhibition was held at The Gowlett Gallery
and was very successful, with work bought by The National Gallery.
COMMISSIONS
1988
A branch of the Namibian Catholic Church also commissioned a station of
the cross.
1987
The Catholic Fathers of the St. Mary's Church in Nyanga commissioned the
seven Stations of the Cross and a big figure of Jesus Christ from Patrick.
BOOK ILLUSTRATIONS
Illustration for 'I Cry Justice' by Dr. John de Cruce
COLLECTIONS
Dr van der Merwe, Kwela Books
Worldwide tourists purchasing work off St Georges St Mall and The Cape
Gallery.
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Artist: PATRICK HOLO
Title: David & Goliath 2/50
Size: 29 x 39 cm
Media: Linocut
Price: R 1 900 Framed
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