Siko’s artistic
consciousness was formed in the aftermath of the Soweto uprising in 1976.
He participated in the first free and democratic elections 1994. In these
years Siko underwent an intense self examination as he searched for a
viable way to be South African and also a part of the world.
The concept of “Ubuntu” is central to the
African National Congress’s goal as they pursue a policy of a ‘non
racial society.’ ‘Ubuntu’ essentially means that you
are only a person because of other people, and you can only grow and develop
if you help other people grow and develop. Charlene Rolls, writing for
Fair Lady, suggests the concept has become a commodity on every Human
Resource Manager’s list saying ‘We have to ask if South Africa’s
lost a real sense of what it is – before we even had it.'
In painting ‘Engagement’ Siko would seem
to be romanticizing the cape. A man propositions a woman over a glass
of wine. They are seated on a verandah laced with Victorian caste iron.
In the garden a Strelitzia flowers. Table Mountain is visible across the
bay behind them. The destination, the wine, the flowers and the painting
are all for sale...
A keen satirist and visual narrator, Siko chooses his
images for their strong associative values to make a moral point. He seeks
empowerment, participation and a voice for all in a post colonial world.
The traditional response to a greeting in Africa
is ‘I see you!”
This is a excerpt from the 2005 Cape Gallery Solomon
Siko invitation, written by Gail Dorje.
Siko's vibrant paintings on heavily textured and engraved board are the
theatre for a richly imaginative portrayal of 'Street Life'. Siko loves
to sketch the world around him. He combines these sketches in his larger
studio pieces. The integration of his different sketches requires that
he be fully articulate in the visual language he chooses. Humour is a
positive force in our multicultural society: Siko, with his real gift
for charicature, is still gentle in his application.
Solomon Siko studied Art at C.A.P. (Community Arts Project) in Woodstock,
Cape Town from 1987 to 1989. Siko has displayed his work at The Cape Gallery
since 1992.
Siko, as Peter Clarke says, was born with a powerful creative drive.
He is a man of integrity and one who does not take his impressive talent
for granted. He walks a difficult path in redefining values with care.
He upholds the precept of 'Ubuntu' - that is a mutual respect for another's
culture. Siko, as a respected member of his community, has also become
a cultural envoy for South Africa, with his works owned by people nationally
as well as internationally.
RESUME
1993 - 94
Associated with the Paarl Arts and Crafts Groups.
1992
Designed tapestries for the Babatane Spinners and Weavers.
1991
Started to work as an artist full time.
1987 - 89
Studied Art at C.A.P. in Woodstock (Cape Town Community Arts.)
1986
Worked as a Labourer on the Du Toits Kloof Tunnel (Concor Hochtief)
1985
Kuyaza High School, Dimbaza Ciskei.
1980 -84
Simon Hebe High School in Paarl.
SOLO EXHIBITIONS
1998
The Cape Gallery.
1996
The Cape Gallery.
1994
Police College, Paarl.
Auto Atlantic Gallery, Cape Town.
1993
Fleur Gallery Wellington.
1990
Oude Pastorie Museum, Paarl.
GROUP EXHIBITIONS
2014
Telling our story; group exhibition at The Cape Gallery
Talking about Cape Town, group exhibition at The Cape Gallery
2012
Siyakubona, group exhibition at The Cape Gallery
Social Synergy, group exhibition at The Cape Gallery
2005
The Group Exhibition “Encompass” at the Cape Gallery
1998
Ubuntu Exhibition, Cape Gallery,
Diemersfontein. Lisbon ' 98. Music and Art - Bang Gallery.
Bayerische Hypothekenbank, Hamburg,
Galerirforum Sparkasse Elmshorn,
Bayerische Hypothekenbank, Hanover,
HypoVereinsbank, Rostock.
1997
Kaapse Landing by die Klein Karoo Nasionale Kunstefees Oudtshoorn,
Rust en Vrede, Cape Town,
Laanrust Gallery Paarl,
Bien Donne Paarl.
Theodore Heuss Akademie, Friedrich-Naumann-Sstiftung, Gummersbach,
Zundholzfabrik, Friedrich - Naumann-Stiftung, Lauenburg,
Kanzlei RWWD, Hamburg,
Sudafrika-Woche, Dresdner Bank, Lubeck,
1996
Art against Apartheid Exhibition, S.A. Parliament, Paarl.
Gallery DG HYP Wintergarten, Hamburg,
Generalkonsulat der Republik Sudafrica, Hamburg,
Prolinguis Sprachenclub, Hamburg,
1995
South African Association of Arts, Cape Town,
The Cape Gallery,
Parliament Chambers,
Volkskas Bank Atelier Award Finals Exhibition, Sasol Art Museum, University
of Stellenbosch,
Bright hues and Jewellery, Alfred Mall Gallery Waterfront,
1994
Fleur Gallery, Wellington,
Nederberg Farmers winery, Paarl,
Association of Arts Pretoria,
1993
Life Trust Art Centre, Paarl,
Villeria Wine Estate, Simondium,
Cape Gallery, Cape Town,
1992
Oude Pastorie, Paarl,
South African Association of Arts, Cape Town,
Clan William Art Gallery, Clanwilliam,
1991
Veld and Vlei Gallery, Paarl,
1990 - 93
Daljosafat Art Foundation Summer Shows.
Jane se Kunshuis Summer Shows.
1990
Cape Trienials, Cape Town,
1988
University of Westville, Durban.
"Eye of an Artist" Italian Embassy, Cape Town.
1987
St. Georges Cathedral, Cape Town.
PUBLIC COLLECTIONS
Engen, Cape Town. Cape of Good Hope Bank, Cape Town. Community Arts Project,
Woodstock, Cape Town. Westville University Durban. Centre for African
Studies, U.C.T. University of Western Cape, Mercantile and General/ Swiss
Re-Life, A.B.S.A. Bank.
COMMISSIONS
Engen, Cape Town. Cape of Good Hope Bank. Lutheran Church Bellville. Juta
Publishers Ltd.
PUBLICATIONS
Botaki, exhibition 2, written by Mario Pissarra for Old Mutual Asset Managers,
2005
Tribute, December 1996,
Mercantile and General/Swiss Life Annual Financial Report 1995,
Max Mai 1997, Hamburg,
S.A. Contemporary Arts Directory 1997. |
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Artist: SOLOMON SIKO
Title: Still Life with Cows Head
Size: 59 x 88 cm
Media: Oil
Price: R 20 000 Framed
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